Luciano Sandrone

One of the things I want to write in summarising my trip is to talk about some of the amazing people I met who imparted some of their wisdom and experience in wine and life. I am still in the process of looking back upon my blog archive which is taking me a lot longer than it should. But as it happens one of the people I intended to write about is making his first ever visit to Australia and I was lucky enough to be invited to a masterclass showing his wines here in Melbourne by the importer Bibendum Wines. This man is Luciano Sandrone, and after introducing him I will talk about why he had such an effect upon me.

Luciano Sandrone and myself when I visited in April 2012

Return to Oz

A few days ago I stepped onto Australian soil for the first time in 500 days. It is a pretty surreal experience returning home after having been on the move for so long, and seeing so many amazing and different countries. Firstly there is the fact that I have returned from sub-zero and icy temperatures in South Korea to warm and dry 30+ temperatures in Melbourne, and I can actually walk around in shorts and T-shirts like a proper Australian. I am also experiencing a kind of reverse culture-shock, as I had got so used to being in foreign and fascinating cultures and being somewhat out of my element. It probably doesn't make sense to feel so out of place in my own home town.

I stopped in Seoul on the way home to visit a friend

The last seven months of my trip didn't involve a lot of wine travel, with the exception of four weeks in France, a few visits in Italy and the vintage in Germany. For this reason I am concerned that I am getting a bit rusty, so I'm keen to get back into the swing of things here in Melbourne. The problem is that I'm yet to be gainfully employed, and therefore unlikely to be invited to any trade-related activities such as tastings. Having said that, my immediate plans are to start visiting more Australian wineries and continue writing about them here on the blog. An important realisation came upon me as I travelled that I have visited barely any of the many and varied regions in Australia, and only one in Marlborough, and thus have little first-hand experience with them apart from reading talking and of course tasting. I am excited for any readers who visit this blog to learn a bit more about the great quality and diversity of Australian and New Zealand wine, particularly those not residing in either of those countries who don't know a lot beyond shiraz.

The food in Korea was the deserved highlight

Now that I am back I am trying to collect all my thoughts and experiences from my blog, and periodically I will be summarising various things, including some of my favourite people, regions and wines. I am always looking for discussions and feedback about what I write, and I encourage people to make their voices heard. I am always hoping to learn new things about wine and admit that it is impossible to know enough about wine. I also wanted to let people know that I am thinking of attempting a book about my trip, and am open to suggestions or encouragement (or discouragement) in this endeavour. It's a little bit up in the air for me at the moment as I am still trying to find my feet, but I'll keep you posted on any developments. Thanks again for taking the time to visit my blog, I have had an amazing journey and owe a lot to the people who helped me a long the way, particularly all the wonderful wineries I visited.

The last six weeks of my time in Europe were spent in Italy with my amazing parents

Not what you think (Avellino, Italy)

One of the many things I've learnt on my journey has been to not make assumptions about things, wine or otherwise, the best thing is not listen to white noise or demons and angels on shoulders. This is one major reason I prefer to ignore a lot of wine critics and marketing hype as they can tend to cloud my judgement and enjoyment of things, in essence by not reading ‘professional’ assessment of wines or wineries, nor by reading much on wineries’ websites. What I have preferred to do is to visit a winery and establish my own impression and feel for the philosophy, approach and practices and then determine what I feel is important and good about the winery whilst avoiding the negative and generally unimportant things. A perfect example of an assumption I made was about the region of Campania, which I didn’t have the chance to visit when I was here previously, simply passing through from Puglia on the way to Sicilia when I stopped for a night in Napoli before boarding the ferry to Palermo. Not unlike every other region in Italy Campania has it’s own wine history, traditions, grape varieties and styles which it is deservedly proud of, but I was very wrong in my generalisation of this region as being warm and Mediterranean like much of southern-Europe. In fact it has a more continental climate thanks to the elevations and weather patterns provided by the mountains so close to the coast. On the only occasion that I had to visit wineries in Campania I chose to do so in Avellino which according to Jacopo Cossater is where some of the best white wines of the south come from, and I met with the two largest and most important representatives of the entire Campania region; Feudi di San Gregorio and Mastroberardino.

A model of the only thing to survive the 1980 earthquake in a nearby village, the abbey

Polarising (Umbria, Italy - Day Three)

I have had the pleasure of meeting a great many people who work in wine over the course of my journey who have all imparted wisdom to me, and I hope that I have given some small amount in return as this is the essence of wine communication, that in travels in two directions. Most of the people have been hosts at wineries that I have visited, but a few of them I either met also visiting wineries or simply in unconnected situations, like a woman who consults business strategy and communication to small wineries in Italy whilst having lunch in Beaune, France. Someone I met whilst in Sicily was a wine journalist and blogger originally from Verona but now living with his recently married wife in Perugia. At the time he was making a much smaller version of my own journey in the south of Italy, including Campania, Calabria, Molise and Abruzzo. His name is Jacopo Cossater and he not only contributes to the most important wine magazine in Italy and the most visited wine website in Italy, but he also regularly writes on his own site enoicheillusioni. We met whilst visiting one of my favourite winemakers in Italy, Arianna Occhipinti, and shared some discussions over several meals whilst in Sicily. I was thrilled to catch up over dinner with Jacopo and his lovely wife Laura with my parents when we visited Perugia, and even more so when he invited me to visit a few of his favourite producers around Perugia in Montefalco and Spoleto. Regretfully I forgot to bring my camera so the images in this post have been taken with many thanks from the websites of the producers in question.

Vines are only outnumbered by olive trees here

Continuing traditions (Soave, Italy)

Due to a few inconveniences both good and bad I lost at least seven days of potential visits whilst I was in Italy. Some of these interruptions were for holidays, including Easter which I spent with wonderful family friends in Milano, and who my parents and I also spent Christmas with last week. Other inconveniences were due either to the inability to find wineries thanks to inaccurate directions or addresses, or to wineries not replying to my emails. A final inconvenience was Vinitaly held in Verona, which was a fascinating insight into the world of trade shows but not a particularly good way to learn about wines and regions as not only are you simply tasting wines in a convention centre but the hosts are also extremely distracted with countless other things and therefore not able to give the best introduction to their winery. Whilst I was in Verona I did manage to visit a few producers in Valpolicella which is to the north of the city extending from the east to the west, but there are a number of other areas in Veneto that were left unexplored, including the highest volume DOCG, Prosecco. I had the chance to join a group from Australia for dinner in Verona at the invitation of their Soave producer, and being familiar with their quality I was thrilled to have the chance to take my parents there on my return.

The castle sits overlooking the village of Soave

Recapturing the vibe (Montalcino, Italy - Day Two)

It’s such a relief to simply be in holiday mode after most of the past 14 months have been spent not only travelling but researching and arranging appointments and then writing as much as I can. I have joined my parents who have flown up from Melbourne for us to travel in Italy for my last six weeks in Europe. Not only is this a great experience for me not having seen them for over 14 months, but also my mother brought me as a baby to Italy for five months whilst she worked on her masters in a dialect from Campania. I may have mentioned in a post back in April that I was actually returning to Italy after almost 30 years, and now my mother and I are reunited in Italy as well. As I am travelling I won’t be doing much writing in the hope of making the most of the trip with my parents, but they are interested to visit a few wineries whilst we are here so I will write about them. I raved to them about how beautiful Montalcino was, and as we were staying a few nights in Siena to the north and we were passing through, I made an appointment to a winery that I didn’t visit when I was here before.

Poggio di Sotto

Impressions of France

This post has been almost twelve months in the making, as the first region I visited in Europe was Champagne way back in the third week of January, and my final one in Europe was Burgundy. Over the year I have made periodic visits to France which was not intentional but merely a product of its very central location in Western Europe, and the fact that most of the regions happen to be quite close to the borders of other countries. It is important to keep this in mind as I collect my thoughts and look back on my experiences on the most famous wine producing country in the world. It is also important to keep in mind that my visits to different regions in France have come at different stages in my experience and thus each new region I visited in France was actually a big jump forward in my development having focused on another country entirely (Germany, Italy, Spain etc.) By the time I got to Burgundy I had seen the best that the rest of Europe had to offer and had a significantly better understanding about wine production, viticulture and the concept of terroir. So without further ado, here are my impressions of France.

Day 1 in French wine country

Here endeth the lesson (Beaujolais, France)

Fourteen and some months after I left Australia I arrived at my last day visiting wineries, and it certainly has been quite a journey. As it turns out I am very glad to be finishing in Burgundy, partly because I generally love the wines and they are amongst my favourite in Europe, but also as Burgundy is such a diverse and often complicated region that I was glad to have had all the previous experience before visiting. Having already visited the Chablis and the Cote d’Or on my previous trip in 2010 there was very little that surprised me in these regions and it was more a question of familiarising myself further. South of the Cote de Beaune on the other hand was a different story, as not only did I know very little about these appelations but I had had almost no tasting experience with them. Unfortunately I wasn't able to secure any appointments either in the Cote Challonaise or the Cote Maconnaise and had to be content with driving through parts of the area to see the type of landscape it is. One of the more famous appelations in the Cote Maconnaise is the village of Chardonnay, not because of the quality of the wines but because it is supposedly the birthplace of possibly my favourite white grape variety. Technically still part of Macon but a different appelation to the south is the famous Beaujolais which totally took me by surprise, and I was pretty happy to finish somewhere that did. The king of varieties here is gamay, and there are no other parts of the world that grow it in the quantity or quality they do here. There is a separate appelation for Beaujolais Blanc wines which are 100% chardonnay, but really it’s the gamay that makes this region what it is.

A cold day in Beaujolais

So good they named it twice (Cote de Beaune, France – Day Two)

The famous village of Chateauneuf-du-Pape wasn't always named as such, it was renamed from just Chateauneuf after the Papal regime had all of their best vineyards here back in the 15th century. The association with this important period in history was strong enough to change the name of the village, thereby highlighting the importance of viticulture, and today it is the largest single appelation in France. This isn't the only village in France that has changed its name to signify the importance of viticulture, some of the most famous are in Burgundy. Within the Cote d’Or, villages that neighboured the best grand cru vineyards began to take the name of the vineyard to lift their profile. Gevrey became Gevrey-Chambertin, Chambolle became Chambolle-Musigny, Vosne became Vosne-Romanee and Aloxe became Aloxe Corton. Arguably the most famous white wines in the world come from the Montrachet Grand Cru vineyards which are between the villages of Puligny and Chassagne, and thus they both took the name of the vineyard and became Puligny-Montrachet and Chassagne-Montrachet respectively. In a way this is like a seal of approval or a sponsorship, but in the same way that a sponsorship from Pepsi doesn't guarantee that The Spice Girls are good, just because the fruit comes from a classified vineyard it doesn't mean it will be the same style or the same quality. This is one of the problems with the appelation classification system, is that it is merely for a place and not for the human influence, and two wines from the same vineyard but a different producer can be very different. As I always say, trust the producer first and the rest will follow.

Barrels and bottles

A Beaune to pick (Cote de Beaune, France - Day One)

Something that amazed me when I first came to Burgundy back in 2010 was how small the region was compared to how important it was, particularly in comparison to Bordeaux which is as big as it is important. The Cote d’Or stretches for about 40 kilometres from North-East to South-West, and is as narrow as 500 metres wide in such places as Premeaux-Prissey. The amount of wine that is produced can’t be that much considering the yields of only a few tonnes per hectare, and yet you can find Burgundy all around the world. Despite the relatively small size of the region there are a lot of differences between each part, particularly between the Cote des Nuits and the Cote de Beaune. The Cote de Beaunes starts in Aloxe-Corton, stretches north of the town of Beaune (the heart of the Cote d’Or) and continues past it all the way to just past Chassagne-Montrachet. I was always confused by the claim that the red wines of the Cote des Nuits were more feminine than their counterparts further south, whereas I (and several of my fellow students at university) felt the opposite was true. Pinot noir from the Cote de Beaune is first and foremost lighter, more pure and fresh, shows the minerality better and most importantly is more approachable sooner. I much prefer the red wines of the Cote de Beaune for all of these reasons, but it is also the chardonnay wines that distinguish this part of Burgundy as supreme, with the Montrachet Grand Cru parcels producing arguably the best white wines in the world. I was thrilled to visit three producers today that all exemplify the style of the Cote des Beaune yet have their own unique expression of it.

Ma Cuisine, one of the best dining experiences of my trip

What goes around (Cote des Nuits, France – Day Three)

Now that winter has arrived I feel like I've come full circle in Europe because I arrived mid January in Paris. Back in February when I was in Germany you may remember that the temperature dropped well below zero and there was quite a bit of snow in regions like the Mosel, Rheingau and Franken. The morning of my third day in the Cote d’Or I awoke to falling snow that continued all morning and covered the cars, houses and buildings quite beautifully. It also made driving a little more challenging both for visibility reasons but also as the road was a little slippery. Seeing this just reinforces the fact that these wine regions North of the Loire Valley really are very cool-climate, and you would very rarely see snow in any regions in Australia, even further south in Tasmania. These cold temperatures and snow or frost are of course the reason that grape vines go into dormancy by turning brown and into canes, to protect themselves. It’s a shame that humans can’t develop a hard exterior that perfectly protects them over the winter, we would save a fortune on heating expenses, warm clothes and car problems. My final day in the Cote des Nuits I visited three small producers all with a different approach and expression.

Nuits-St-George vineyards under snow

Expressions of interest (Cote des Nuits, France - Day Two)

One of the true revelations of my journey has been to discover the four components of what makes a great wine which must all be present and in balance. The first is the vine (obviously), but more importantly the right variety for the place. The place is the second component; for lack of a better term the terroir or the environment, which includes the climate but not the weather. The weather is a part of the third component which is the vintage, and how the specifics of the entire year can influence the character. The final component is the influence that people have, which includes everything viticulturally, oenologically, philosophically, spiritually and financially. All four components have their own influence on the character of the wine and to be a great wine they must be all working together, however one or more of the four often stands out more than the others whether intentionally or not. The most common component to dominate is the human influence of winemaking and something I am beginning to realise is that this is true in every region, even here in Burgundy. Winemakers whether deliberately or not want to impart their signature on the wine through anything from skin contact, use of oak, fruit sorting, ripeness of fruit at harvest and even the type and amount of filtration. So even within a single vineyard you may have slightly (or very) different expressions of the other three components. My day consisted of three appointments, all north of the village of Nuits-St-George.

Water is an important resource for wine production

Chalk and cheese (Cote des Nuits, France - Day One)

There is a very good reason that the part of Burgundy between Dijon and the beginning of the Cote Challonaise is referred to as the Cote d’Or or Golden Coast, and it’s not because of the colour of the leaves in Autumn. It’s because the greatest and most aught after wines in the world are from this mysterious and unattainable part of the world, crafted from only two varieties, either pinot noir or chardonnay. These are the benchmarks not only for wines made with these grapes but all wines, particularly cool-climate elegant wines. I visited here as part of my 2010 trip, only spending a total of three days which included one in Chablis. With so little time back then I ended up visiting three negociant style houses based in Beaune and only one small producer in Volnay, but none in the Cote des Nuits although I did taste wines from this area. When I drove back from Dijon to Beaune after my visits in Chablis I passed all the vineyards that have such mythical names, realising just how small the appelations are. Some domaines own many hectares of vineyards in a multitude of different appelations and buying fruit or wine to make up the difference, releasing 50 or more wines each year. Other domaines are pure proprietors who only make wines from their own meagre holdings less than 15 hectares, often within one village. The difference between these two types of burgundy houses can be profound as I discovered on my first day in the northern part of the Golden Coast.

They use these at Louis Jadot to indicate when they have tasted from a barrel and it needs topping up

Keep it simple (Chablis, France – Day Two)

If anyone has played competitive team sport in their life they may have heard of the KIS principle, which stand for Keep It Simple. Looking back on my trip I am finding it fascinating that many of the wineries and regions that I most connected with have this same principle in mind. Even more interesting is that this connection was regardless of red or white wine, but applied to philosophies and practices as well as style. The clarity purity and minerality of the rieslings I tasted in Germany blew me away, as did the gruner veltliners in Austria. Some of the best wines I tasted in Spain were those that were straightforward and approachable, such as the albarinos in Rias Baixas and the verdejos in Rueda. In terms of French wine, the simple white wines of the Loire Valley and Chablis have a special place in my heart, as the minimal intervention they make in the wineries means it is purely the expression of the variety in their particular terroir. In fact there are a number of similarities in terms of climate and soil composition between Sancerre, Pouilly and Chablis, but the latter chooses to express through chardonnay rather than sauvignon blanc. The minerality of these regions is legendary, but I am starting to see there are some different expressions that still follow the KIS principle.

Some of the characters of Chablis

The name game (Chablis, France - Day One)

When I was younger I didn’t like my name. In terms of my first name I didn’t really have a problem with James, but I didn’t like it being such a common name, nor did I like derivations and colloquialisms of it, like Jim, Jimmy or Jamie. Considering how uncommon my surname is and how much of a individual I attempted to be, you would think I would like my surname but this was not the case. I wasn't a fan of the length of it nor did I like the fact that people could neither spell it by ear nor could they pronounce it when reading it. I love my name now, being proud of its uniqueness and also as the last male Scarcebrook in the family I have a sense of obligation to continue the name. People in Europe, particularly France, are similarly fiercely proud of their names, often naming their children after themselves. Continuing the family name carries over to the family business as well, but complications arise with splitting of estates between children or establishing new estates with the same name. Within the same village it is not uncommon to find several producers of the same name, and within an entire region this could multiply significantly. Not for the first time on my trip I arrived at the wrong winery because it had essentially the same name, even though there is no relation between them. This gets complicated out in the market as a producers name is effectively their brand, so when someone else is using the same brand their products can reflect on your own reputation. I guess this is another complication that makes wine so special, and it is important to trust your source, be it a restaurant, store or importer.

Limestone clay and a bit of chalk

It is and it isn't (Pouilly, France - Day Two)

I've never really understood the phrase “the exception that proves the rule”, and I'm wondering if someone can explain it to me. Doesn't an exception by definition DISprove a rule? Isn't that the whole point of a rule? I understand the concept of “rules were meant to be broken”, never more appropriate than when talking about the rules and regulations around appellation des origine controlee (AOC) in France, and similar denominations in other European countries. The idea that the best wines are produced from certain varieties in certain terroirs perfected over the centuries isn't the question for me. The question is the determination of yields and practices in the vineyards in cellars that are determined by this quite rigid system. In terms of planting other varieties, not only can you not label any wine made from the varieties, but the mere existence of them is forbidden. Around Europe there are mavericks looking to shake things up a bit, breaking away from the norm and attempting to disprove the rules, or prove the exception. One of these is Domaine Didier Dagueneau.

Domaine Didier Dagueneau

Everybody needs good neighbours (Pouilly, France - Day One)

In the world of wine there are a few appellations that neighbour each other and are almost identical in terms of the climate, variety and style. Yet for some reason they aren't as large or well known as these neighbours. One that comes to mind is Barbaresco and Barolo, the former being a third of the size and yet both are made from nebbiolo and are planted on the same soil type. Another more recent one I visited was in Touraine where the king of whites is Vouvray, but just across the river is Montlouis-sur-Loire where they also produce crisp fresh white wine from chenin blanc. Adding to this is the Pouilly-Fume appellation, which sits on the eastern/left bank of the Loire River, is about 40% the size of Sancerre and is also made with sauvignon blanc. There are some similarities in terms of soil with variations of clay, flint and chalk (much like in Chablis in fact). An interesting difference is that there is an additional AOC within Pouilly called Pouilly-sur-Loire, surrounding the town of the same name, which is exclusively planted to the more traditional chasselas variety and totals only 50 hectares. There is enough similarity in the style to be able to buy Pouilly-Fume instead of Sancerre and not be disappointed, particularly as the prices are a little friendlier. Head into your local independent boutique wine store and get them to recommend some alternatives to the better known wines you may drink, and you may discover something even better for the price.

Chateau de Nozet, the unofficial heart of Pouilly-Fume

Finishing big (Sancerre, France – Day Three)

It is important to remember that everything is relative, and also that there are numerous implications depending on the person and the word. Language is complicated as much as communication itself, and over the past 14 months (to the day in fact) I have had so many situations where things can have different meanings depending on audience and context. My understanding of things, not only about wine, has changed significantly and I have discovered that it is important to always clarify and speak relatively. For example, there is a word in French that will be familiar to most wine-lovers that actually has different meanings in English which are related but have different connotations. The word is ‘grand’, and in the context of vineyard classification for such regions as Burgundy and Alsace, it means ‘great’ or essentially ‘the best’. The word can also mean ‘big’ or ‘large’, which implies size rather than importance and in terms of wine, could refer to the size of vineyards or a winery for example. When a winery produces 3.5 million bottles per year in Sancerre, this is both great and large, but in the Australian context it is merely a medium-sized winery. Everything is relative. What is interesting is that in my humble opinion I began my week with the most important producer in Sancerre and finished with the largest, and the quality of the wines to decline with each estate I visited.

Cellars in Sancerre

For my morning appointment on the third and final day in Sancerre, I visited a producer in the southern-most part of the appellation in the town of Bue. The Roger family have been growing wine in this part of the world for about 400 years, and now there are several estates carrying this name that are close or distant relatives. When Jean-Max took over the four hectares of vineyards of his branch of the family, it was the 1970s and wine (particularly Sancerre) was beginning to experience a boom, particularly in established and new export markets. From this four hectares the vineyard holdings grew to now total almost 30 hectares, around a number of the southern Sancerre villages on a couple of different soils. Today, of his three sons two of them work with him at the domaine whilst the third also works in wine in the Languedoc-Roussilon part of France in the south. All three have had experience in different parts of the world, and I met with the younger of the two who work with their father, Thibault.

The soil profile of one of the vineyards

Thibault first took me to some of the vineyards to show how elevation and exposition as well as soil type influence the characteristics of the wine. It is starting to get really cold now, with snow forecast for the weekend, so with the additional wind atop the hill it was a little unpleasant. At the time it was quite overcast and a little foggy, otherwise the village of Sancerre would have been visible. The domaine has recently replanted some of the vineyards on the soils which are heavier in clay to produce a new terroir wine in the future. In the vineyards they minimise the amount of work they do which includes the spraying of chemicals. In the winery the fruit is gently pressed to extract the clean fruit, and most of the wines don’t see any oak as is the trend here. They have some vineyards in an appellation closer to Bourges, Menetou-Salon where they grow the same varieties, and they also purchase some wine from Pouilly-Fume across the river. Over the vineyard tour and wine tasting I had the tendency to waffle about various wine-related topics and things I have experienced on my trip, and I appreciate Thibault tolerating me banging on for so long. The wines are all very good, but I thought the red wines were particularly strong for them. Thibault explained that people are rarely disappointed with white Sancerre wines, but finding a good or great Sancerre red is a lot harder. Fair enough. Click here to read my tasting notes.

Three different vintages of the top wine from Jean-Max Roger

The final estate I visited in Sancerre is located in the village of Chavignol which is famous for its cheese as much for its wine. The village in fact is practically split between the wine family and the cheese family, and they each own about 50% of the property. I noticed that throughout the week I was very often asked what other estates I was visiting, particularly whilst I was in Sancerre. I get the impression there is a bit of friendly rivalry here. When I mentioned I was finishing at Henri Bourgeois one person referred to it as the ‘American winery’, which I took to either mean it was very modern and mechanical, or it was very large. It turns out that it is both, but as I have said several times on this blog, size does not necessarily have anything to do with quality, and don’t ever let anyone try to convince you otherwise. Just don’t fall for certain producers claiming they are boutique or artisan when they produce millions of bottles. Ten generations of Bourgeois have lived here in Sancerre, but like the rest of Sancerre it was very modest until recently. In fact in 1950 the vineyard holdings were just two hectares, giving you an idea about how much Sancerre has grown in the last sixty years. There are now around 70 hectares under vine within the Sancerre appellation with more outside of it, which only provides them with half of their required fruit, and with the exception of the cooperative is the largest winery in the region.

Some of the fermentation tanks at Henri Bourgeois

The Henri Bourgeois winery compared to others in the region is a marketing machine. The reply I received to my appointment request was practically a press release that presumably gets sent to anyone requesting an appointment, and comes from the executive assistant of the General Manager Arnaud Bourgeois. The tasting room is similarly very modern and includes lots of displays both audio-visual and otherwise. I was shown around by the manager of the tasting room who used to be a sommelier, and has presumably taken hundreds of people from all over the world through the cellars. The tour was pretty PR and suggested that I had no idea how wine was made or packaged as it focused on the fermentation and bottling, not really talking at all about the vineyards. I can’t help but feel a little disappointed when I experience these kind of visits, particularly in such an artisan and agricultural wine region as Sancerre. This isn’t Bordeaux after all. Between the Sancerre, Pouily-Fume, vins de pays and Marlborough wines they bottle about 3.5 million per year, and ship the wines to over 90 countries. Keep an eye out as it won’t be too difficult to find some Bourgeois wine near you. The top wines are very good, and are certainly worth ageing as they take a little longer to develop in the bottle. The quality of the wines far outweighed the quality of the visit. Click here to read my tasting notes.

Orders waiting to go all over the world

Click here to see more photos from my final day in Sancerre, France.

All things bright and beautiful (Sancerre, France - Day Two)

Sancerre is another one of those wine words that is almost a synonym for white wine. The white wines have been well known along time not only in France but also in the UK, where as has been suggested by Chris Kissack, Sancerre is an easy name to say and thus ask for. Sancerre is on the Loire River and is thus part of the valley, but it is a long way even from Touraine let alone the western parts of the Loire. It is actually closer to Burgundy which it has more in common in terms of terroir, climate and even varieties. The AOC for Sancerre white wines was created in 1936 around the same time that most of the AOCs in the Loire Valley were established. The cultivation of grapes in this part of France is believed to date back to the Roman era, so it has a much longer history. The name is taken from the village where a castle once stood with nine towers, only one of which remains. This hill and surrounding slopes make it ideal for viticulture in a pretty cool climate, as the exposure to the sun improves ripeness. This is in contrast to Touraine which is a little more flat but also a little warmer. The key grape variety here is sauvignon blanc and is without question the best known place for the variety. 20% of the vineyards however are planted to pinot noir which produce both red and rose wines for which an additional AOC was created in 1959. With the market changing away from sancerre red wines they are beginning to produce more rose wine which is in a very light dry and food-friendly style. The white wines differ depending mostly on the specific terroir on which the vineyards are planted, and also a little on how the wines are vinified.

Always work to be done in the vineyards

Personality plus (Sancerre, France - Day One)

Any skill for organisation I may have developed on this trip seems to have abandoned me on my break, and the journey from Touraine to the Central Loire Valley was the victim. The first thing I realised was that Orleans, the city I had decided to stay in during my time in Sancerre and Pouilly-sur-Loire, was at least 90 minutes away. The problem was that I realised this the day I was set to check-in, and changing to a motel close to Pouilly cost me the first nights accommodation in Orleans. My second big error was that I had forgotten my initial plan, which was to stay in Tours an extra night and stop at a winery on the way to Sancerre, one which I had made an appointment with. The winery is located about 150 minutes away from Sancerre, and driving back for one appointment was not something I wanted to do. So due to my incompetence I then had to cancel this appointment, something I felt quite ashamed about and also disappointed. My mood picked up a lot and I managed to move on a little as I stopped at three chateaux in Touraine which were amazing. The castles in the Loire Valley are well known to be some of the most beautiful and grandiose in Europe, as most of them hark back to the Rennaisance period when the French monarchy was one of the most wealthy and influential.

The Sancerre Centre