The new wave (Puglia, Italy – Day Three)

Probably the most exciting thing to discover about Italy is the new movement sweeping the wine industry. Wine production in every region has well and truly moved into the 21st century of wine production in various ways. The wine industry has well and truly moved out of the past, where there were many growers and vineyards mostly providing their high yield fruit to cooperatives to produce high volume simple wines to mass markets. Hygiene and technology has been well established in the vast majority of wineries to produce clean, stable and wines that are approachable and pleasant to a much wider range of tastes and markets. Taking inspiration from the French influence on the rest of the world, Italian growers have a much better understanding of their terroir than ever before. More importantly they now know much more about how their indigenous cultivars perform in their environments and sites, and how new practices in the vineyard can improve the quality of these unique varieties. The new wave is about making terroir wines that are made from one or more varieties that are the best reflection of their origin. We are I a golden age of Italian wine, and now is the best time to get involved with them as a consumer because as the quality continues to improve and the demand around the world increases, the prices won’t always be this affordable. The final tow producers I visited in Puglia are part of this new wave movement, working very closely with growers in the region to provide them with the best fruit possible to make their wines in a modern yet respectful and traditional way.

Basilicata di Santa Croche

Another world (Puglia, Italy - Day Two)

The title of this post says it all; the Puglia region may as well be an entirely different country compared to most of the regions that I have visited in the last six weeks. It is a wide-open, fertile yet relatively dry region that has no problem growing a wide variety of crops, including enough grapes for it to rank in the top three largest producers. From north to south it is less than 100km wide, but is over 400km long, which makes it diverse not only geographically and climactically, but also culturally as well. There are dozens of indigenous grapes, some barely grown any more, and many others making a comeback. At the highest points the elevation only reaches approximately 400m above sea level, and the aspects of any hills are very gentle compared to their neighbours to the north. The soil types are commonly rich red and brown soils, often including calcareous and limestone based deposits. To try and summarise Puglia in one short paragraph does it a disservice, and it would take many weeks or months to better understand it. Unfortunately I only had three days, and regretfully had a low success rate in arranging appointments. So it was with a little disappointment but also interest that I continued south from Lucera towards Salento, but stopping along the way at Rivera, located in the middle of the region.

Castel del Monte

What’s your flavour? (Puglia, Italy – Day One)

Something quite interesting has happened to my tastes over the past six weeks in Italy; I think I have become anti-oak. I think this has been in reaction to tasting so many new wines made from unfamiliar varieties, and my desire to see the subtleties and nuances of each variety without the interference of oak treatment. In general the wines where the oak has worked for it have been made from or included more familiar French varieties, which perhaps suggests I am merely unfamiliar with how oak reacts with these unfamiliar varieties. The wines in Italy have been exceptional, and have got me really excited for the future of Italian wines, as by all accounts the quality of the wines and the understanding of the varieties and terroir have only been happening over the past 20 or so years. In no way am I suggesting that the distracting use of oak is prevalent in Italy, in fact it is quite uncommon. My assumption is that because of the excitement I have felt tasting more ‘traditional’ wines made from indigenous varieties where little to no oak is used, I have been uninspired by wines that use too much new oak for too long that give them a more ‘modern’ and ‘international’ flavour that whilst not necessarily bad are boring and like many others. Too often I see aromas of chocolate and banana (a tad strange, but unmistakeable) which immediately turn me off, and then on the palate comes the vanilla and coconut. This makes it difficult for me to assess and come to terms with such unique varieties as montepulciano, lagrein, sagrantino and nero di troia. Whilst I totally agree that I must become more familiar with these varieties and regions before passing judgement, the predilection for over-use of oak is unmistakeable and in my opinion unforgiveable. Allow the flavours to shine through, speaking for themselves and seducing new consumers all over the world, as nature is the champion rather than the winemaker in my opinion.

A friendly observer on the way to Puglia